Those who resonate with this combination are passionate voyagers, most adventurous leaders and game players, or Indiana Jones and Lawrence of Arabia types. They are constantly searching for new territories to explore, stretching into novel horizons, venturing through exciting risky games.
Their overall structure is extremely optimistic, enthusiastic and abundant with energy. This allows them to channel copious energies and joyfully move beyond limitations in search of the plain truth.
Since 5.9 follows 5.8, the joyful and ecstatic impulse of this blend of fire is tested by the navigation through the valley of darkness and in the best condition to face any challenge. Hence, if you find yourself resonating with this binary, you will summon the energy to gamble with life, out of the awareness that there is truly nothing to lose, with the only hazard being that of winning. This is also a major binary for fire rituals.
Fire rituals call upon the vital force of the Sun and the perception of the energy underlying all apparent forms. The fire element, as it is depicted in the symbol of the triangle with a top vertex, evokes the flow of energy towards the original intent or the process of manifestation from the perspective of the generating force. This implies rising energy above the confinement of fragmented reality and human separated perception, allowing it to align with the primal multi-dimensional identity. Here the conditions for rising above the inescapable friction between the bona fide horny bit[1] and the rerouting device[i] mature.
At this point I can exercise a crucial choice: the direct invitation of the Third Pole, which is indeed our Core Multidimensional Identity (CMI). This is a crucial stage in the re-enactment of the Epic of the Sacred Cone. In the Exegesis on the Soul, a Gnostic text, it corresponds to the point when the soul, after having reached the apex of grievances, finds the courage to ask for help to the Father. And this is indeed the decisive moment.[ii]
The fires of passion, previously burning and scorching horizontally, shift their sense of direction and involve the vertical axis, the original vertex, which was beforehand excluded both as spectator and as the director.
At this stage the drama expands into an unexpected scenario, and the protagonists of the theatre production are systematically unveiled, until the original integrity of the game is restored and all separated pieces are retrieved. Yet, the first step in this development, as it is exemplified by 5.9, involves taking a fatal risk: completing the second stage of release (5.8). In practical terms this implies committing to definitely letting go of the attachment to grievances by stepping out of the confinement created by shame and secrecy, which is indeed what ultimately feeds separation and sustains the rerouting device.
“Asking for help to the Father” is a vertical process that addresses the director and the spectators, not the actors. The function of the rerouting device is to prevent this possibility by focusing merely on the stage and limiting the interactions to the actors, with their setting and script. In the vertical process the actors join their binary forces and acknowledge themselves as one polarity. They cease the previous representation, inviting the public as well as the director to be exposed.
This is the ultimate challenge, a risky business suitable for 5.9 folks. This is the first step in healing: connecting personal to collective human history. When this occurs, then humanity absurdly becomes the bona fide horny bit for the Father, or CMI, which is then drawn into the Human Arbitrary Configuration (HAC), the separated reality. This is the paradox. This is the ultimate joke producing a huge interminable laughter.
Total laughter is the medicine of 5.9. Here all cells of the body laugh, every tissue of your system vibrates with ecstasy, and this brings a state of unconceivable well-being. Laughter in its most expanded form is the loving orchestration of all your fragmented parts. In deep, authentic laughter separation annihilates.
Total laughter emanates from the core of your being, which is epically Pahai, the nucleus of the Sacred Cone. It transfers vital power from CMI into HAC. This is why comic movies or shows are so popular and widely encouraged. Similarly to sex and other bona fide horny bit things, laughter is a way to tap into CMI, get the required energy and then reroute it into HAC. Yet, with total laughter things may work differently. It is impossible to totally laugh and reroute simultaneously. Hence, profound exposure to total laughter may disintegrate the rerouting device dynamics, as well as the bona fide horny bit. This, far from preserving HAC, may shatter it to pieces. The rerouting device breaks down. It actually disappears, and you find yourself somewhere else, which is indeed where you have always been.
“Laugh and the whole world laughs with you; weep and you sleep alone.” (Osho, Take It Easy)
by Franco Santoro
[1] Most contentious term identifying the direct sexual link with our Core Multidimensional Identity. This link plays a crucial role in the production of our human separated reality, holding both the keys of its survival and annihilation. As a result it may be experienced with the largest dichotomy of feelings.
[i] See binaries 5.7 and 5.8.
[ii] In the Exegesis on the Soul, the Father, upon receiving the soul’s request for help, operates as follows: first, he makes the womb of the soul shift outward so that it can reawaken its power, i.e. it moves outside like a male genital organ. In this way she is protected from further contaminations from her lovers. Then, the Father sends a bridegroom, who is her original brother. The soul welcomes her bridegroom in the bridal chamber and they love each other with great passion. The fruit of their union are good and beautiful children. Finally, the soul regenerates and returns to her original state of unity.
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